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In a first-person essay published by Sixty and Me, a writer describes a career creating mature women characters in plays and fiction, then shares how she wrote her life story for her daughter. The account is a personal reflection, not an announcement of a new book or project for publication.
A writer featured by Sixty and Me has described how her work moved from plays and romantic suspense novels centered on mature women to a personal life narrative she gave to her daughter. The essay, “Easy Writer: One Woman’s Journey,” presents the manuscript as a family keepsake rather than a work intended for publication, and offers a firsthand account of the writer’s creative career and reasons for documenting her life.
The writer says she began professionally as a playwright, aiming to give older female characters depth and agency. Her early works included Mama’s Man, a one-act comedy about the effect of an older woman’s relationship with a younger man on her adult children, and the half-hour teleplay Please Don’t Bury Me Before I Die. In the latter, a grandmother works with her grandchildren to avoid being placed in assisted living, according to the essay.
She later produced The Trip with two casts: one in their 30s and 40s, and another in their 50s and 60s. She says the dialogue remained unchanged and audiences of different ages attended. The experience led her to see potential in writing mature women into central roles. In her 50s, she began writing romantic suspense novels, featuring what she describes as mature, strong and financially secure women.
The essay also discusses the Grandmothers, Incorporated cozy mystery series, co-created with playwright and author Lillie Evans. The writer says the series follows three widowed women in their 60s who fight crime. Over about 20 years, the collaborators have taken the characters across several formats; the account lists four published novels, three award-winning plays and a short film.
A Family Story Beyond Publication
The essay’s central development is not a commercial release but a personal decision: the writer recorded her life so her daughter could know more about the experiences and choices that shaped her. She says a conversation with her daughter revealed gaps in what her child knew about her past. The resulting narrative, accompanied by available photographs, was placed in a three-ring binder and given to her daughter.
That account connects a long career writing fictional older women with a different use for writing: preserving family history in the author’s own words. The writer says she hopes her daughter may share the narrative with a later generation, reducing the chance that family members will have to rely only on incomplete memories or guesswork. The essay frames this as her own experience and encouragement, not as a claim that memoir writing is suitable or easy for everyone.
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From Stage Characters to Memoir
The writer’s account spans several stages of her career. She began with theatre and screenwriting, then moved into novels as she grew older. Across those formats, she says, she repeatedly placed mature women at the center of stories and gave them experience, judgment and independence. Her examples include an older woman’s romance, a grandmother’s effort to retain control over her living arrangements, and a group of widows solving crimes.
In Stillwaters, one of her romantic suspense novels, she says she made a deliberate choice about family wealth: it is earned through the intelligence and strategy of a 100-year-old matriarch rather than inherited by a wife from her husband. The essay uses that example to explain how character decisions can shape familiar storylines. It does not provide sales figures or other evidence to quantify the commercial performance of the writer’s work.
For her family narrative, the writer says she did not use a journal or diary. She organized the account in writing and paired it with photographs connected to the people, places and events she described. Her practical suggestions include arranging memories by decade and focusing on experiences that shaped one’s life rather than trying to recall every detail.
““The most important story I’ve ever written – the story of my life.””
— The writer, in the Sixty and Me essay
What the Essay Leaves Unspecified
The source is a personal essay and does not give the writer’s name in the supplied material, the date it was published, or details about the daughter beyond her role in prompting the narrative. It also does not identify the life story’s length or reproduce its contents. The writer says the account is not for publication, and there is no indication that it will be released publicly.
The writer describes her view that writing mature characters can be profitable, but the essay provides no sales data, audience figures or financial results to substantiate that assessment. It reports her experience with performances and projects without offering independent verification or additional perspectives from collaborators, readers or audiences.
The Manuscript Stays in the Family
The writer says she has already presented the binder and photographs to her daughter and offered to answer questions after she reads it. The next step described is therefore a family conversation, not a scheduled publication or public event. She hopes the narrative will be shared with a future generation, but the essay does not say whether her daughter intends to do so.
For readers considering a similar project, the writer recommends starting with the person they know best: themselves. She suggests organizing memories by decade, choosing experiences that helped shape a life, and being open to clarifying passages that relatives might interpret differently. These are her personal recommendations; the essay does not report a formal program, deadline or wider project connected to the manuscript.
Key Questions
What is “Easy Writer: One Woman’s Journey” about?
It is a Sixty and Me essay about a writer’s career creating mature women characters and her decision to write a personal life narrative for her daughter.
Is the writer’s life story being published?
No public release is described. The writer says she prepared the narrative as a gift for her daughter, not for publication.
What kinds of work has the writer created?
The essay lists plays, a teleplay, romantic suspense novels, and the Grandmothers, Incorporated cozy mystery series, which she co-created with Lillie Evans.
What advice does she give for writing a life story?
She suggests organizing memories by decade, focusing on experiences that shaped one’s life, writing honestly and discussing the account with family members when clarification may help.
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